Gran Teatre del Liceu
Gran Teatre del Liceu
Gran Teatre del Liceu
4.5
عرض كامل
المنطقة
العنوان
الجوار: لا رامبلا
كيفية الوصول إلى هناك
- Liceu • 1 دقائق سيرًا
- Jaume I • 7 دقائق سيرًا
أفضل الأماكن القريبة
المطاعم
8,353 على بُعد 5 كيلومترات
معالم الجذب
1,380 على بُعد 10 كيلومترات
4.5
696 تعليق
ممتاز
419
جيد جدًا
193
متوسط
38
سيئ
18
سيئ جدًا
28
Arsen M
يريفان, أرمينيا5 مساهمات
العائلة • يناير 2023
Recent performance of Tosca was a big FAILURE and DISAPPOINTMENT ! All, but propaganda of homosexualism! How could you distort such a great opera of Puccini!! Total waste of money!
كُتب بتاريخ 4 يناير 2023
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Pedro Marques
لشبونة, البرتغال2,844 مساهمة
يونيو 2022
O Gran Teatre del Liceu destaca-se desde começo pela sua imponente fachada, mas a sua pérola é o interior. Maravilhoso!
كُتب بتاريخ 10 يوليو 2022
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Sara R
برشلونة, إسبانيامساهمتيْن
زوجان • يونيو 2022
Vergonzosa política de anulación de reservas por COVID . Mi pareja y yo tenemos entradas para una función a través de una caja regalo que nos hicimos en navidad. Mi sorpresa es que a tres días del evento damos positivos en COVID y la respuesta del liceo , tan grande y maravilloso, es que no se cambian, no devuelven dinero, no hay ninguna opción al respecto. Así que, o las perdemos o vamos a disfrutar de la función con COVID, palabras textuales. Les importa cero la salud.
كُتب بتاريخ 29 يونيو 2022
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John W
دوغلاس, UK2,094 مساهمة
الأصدقاء • مايو 2022
English National Ballet on tour with the Akram Khan version of Giselle.
Last stop off before Tamara Rojo leaves as artistic director and moves to Houston.
Tamara danced Giselle.
It’s a fusion of classical Western and Bengali dancing, Ballet mets Bollywood. Some original score, lots of modern.
Costumes are monochrome greys and sepia.
The mobile hydraulic back wall plays a big part.
Crowd scenes are excellent. Stage patterns good. The Willis are amazing with their staffs.
Great seats, unobstructed view. Orchestra of the Liceu fantastic.
Last stop off before Tamara Rojo leaves as artistic director and moves to Houston.
Tamara danced Giselle.
It’s a fusion of classical Western and Bengali dancing, Ballet mets Bollywood. Some original score, lots of modern.
Costumes are monochrome greys and sepia.
The mobile hydraulic back wall plays a big part.
Crowd scenes are excellent. Stage patterns good. The Willis are amazing with their staffs.
Great seats, unobstructed view. Orchestra of the Liceu fantastic.
كُتب بتاريخ 12 مايو 2022
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natasha y
برشلونة, إسبانيا23 مساهمة
مايو 2022
Great theatre, really terrible customer service. Happy to change your seats to worse seats when it suits them, but won't make changes to your booking when you request it, even if the change you want to make involves you spending more money. Then, when you write to them to complain, they send a formulaic response. The only people allowed to make changes to a booking are season ticket holders, suggesting that if you're not loaded, the Liceu couldn't care less about your experience as a customer. Shame.
As a tourist, know that many of the cheaper seats have no, or very limited, view of the stage. Know too that, as has happened to me, no changes are allowed at all, Friend decides to come too and wants to sit with you? Tough, no changes. If you were unlucky enough to get Covid, they wouldn't allow you to make a change. If they have to make changes because of Covid, you have to suck it up.
Think seriously about buying tickets here in advance.
As a tourist, know that many of the cheaper seats have no, or very limited, view of the stage. Know too that, as has happened to me, no changes are allowed at all, Friend decides to come too and wants to sit with you? Tough, no changes. If you were unlucky enough to get Covid, they wouldn't allow you to make a change. If they have to make changes because of Covid, you have to suck it up.
Think seriously about buying tickets here in advance.
كُتب بتاريخ 9 مايو 2022
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Castany1963
Rubi, إسبانيا26,811 مساهمة
مارس 2022
Situada en la Rambla, el edificio en si ya vale la pena de ver. Estamos hablando de que se reconstruyo después del incendio. por dentro es espectacular y la cartelera muy cuidada.
كُتب بتاريخ 30 مارس 2022
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John W
دوغلاس, UK2,094 مساهمة
الأصدقاء • يناير 2022
It’s always difficult to separate out a review of a theatrical venue from the production you see. Especially when it’s a visiting company from a respected producing house. But the experience goes together.
So, Liceu as a venue, first. Easy booking on line. Fast and direct access on the level ( I use a wheelchair ) from the side entrance on Carrer S Pau. Good leg room, wide seats and unrestricted view on Tier 3. Beautiful interior. Amazing acoustics. Impressive loos.
The rebuild, 20 years ago, never ceases to impress. Carefully restoring all that was good about the auditorium and adding modern facilities, wide public areas, and lifts.
The production. Tchaikovsky massacred. Petipa flung out. This was an update of The Nutcracker by a respected French etoile and choreographer. Director of ballet at Theatre Capitole du Toulouse. On the evidence of this, he deserves to be sacked.
The concept was uninspired. Elements stolen from Mathew Bourne and Hans von Manen at random. No coherency. The story telling a mixed, incoherent jumble.
Somehow they added 40 minutes to the score. The additions were unpleasant, jarring. They added nothing, apart from drawing out an unpleasant choreographic experience even longer than need be. The traditional parts of the score were played very well by the Liceu orchestra.
I can only speculate that the choreographer was having some unpleasant drug induced trip when he conceived replacing the mice and soldiers with spiders and frogs, complete with flippers.
Snowflake scene transposed to late on in second act. Spoiled by Christmas trees. Act 2 started in a gauginesque world. Don’t ask. Choreography was uninspired, lacked feeling and was very angular. Reverting to tradition for the dances between the sugar plum fairy and the nutcracker prince. Except the dancers didn’t deliver.
I think I got the narrative of childrens home, presents given and cruelly snatched away, coming to life in an alternative world of escape. The breaking of the nutcracker doll by pulling its arms off, bizarrely mirrored by detached arms being used as props in act 2. But no sexual awakening for Clara, no “ was it a dream or reality “ conundrum.
The audience, limited to 70% by covid, applauded the cast at curtain call. Politely, but not enthusiastically. The cast milked it. Thunderous applause for the orchestra.
A poor choice by the Liceu management.
Lest anyone think I’m being snobby I’ve seen and enjoyed The Mark Morris and Mathew Bourne updates. And Spanish National Dance company version is stunning.
Venue 5. Production 1.
So, Liceu as a venue, first. Easy booking on line. Fast and direct access on the level ( I use a wheelchair ) from the side entrance on Carrer S Pau. Good leg room, wide seats and unrestricted view on Tier 3. Beautiful interior. Amazing acoustics. Impressive loos.
The rebuild, 20 years ago, never ceases to impress. Carefully restoring all that was good about the auditorium and adding modern facilities, wide public areas, and lifts.
The production. Tchaikovsky massacred. Petipa flung out. This was an update of The Nutcracker by a respected French etoile and choreographer. Director of ballet at Theatre Capitole du Toulouse. On the evidence of this, he deserves to be sacked.
The concept was uninspired. Elements stolen from Mathew Bourne and Hans von Manen at random. No coherency. The story telling a mixed, incoherent jumble.
Somehow they added 40 minutes to the score. The additions were unpleasant, jarring. They added nothing, apart from drawing out an unpleasant choreographic experience even longer than need be. The traditional parts of the score were played very well by the Liceu orchestra.
I can only speculate that the choreographer was having some unpleasant drug induced trip when he conceived replacing the mice and soldiers with spiders and frogs, complete with flippers.
Snowflake scene transposed to late on in second act. Spoiled by Christmas trees. Act 2 started in a gauginesque world. Don’t ask. Choreography was uninspired, lacked feeling and was very angular. Reverting to tradition for the dances between the sugar plum fairy and the nutcracker prince. Except the dancers didn’t deliver.
I think I got the narrative of childrens home, presents given and cruelly snatched away, coming to life in an alternative world of escape. The breaking of the nutcracker doll by pulling its arms off, bizarrely mirrored by detached arms being used as props in act 2. But no sexual awakening for Clara, no “ was it a dream or reality “ conundrum.
The audience, limited to 70% by covid, applauded the cast at curtain call. Politely, but not enthusiastically. The cast milked it. Thunderous applause for the orchestra.
A poor choice by the Liceu management.
Lest anyone think I’m being snobby I’ve seen and enjoyed The Mark Morris and Mathew Bourne updates. And Spanish National Dance company version is stunning.
Venue 5. Production 1.
كُتب بتاريخ 3 يناير 2022
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hoko53
Erding, ألمانيا100 مساهمة
ديسمبر 2021
Schön rekonstruiertes Palais mit der Atmosphäre des Fin de siecle im 19.Jhd. Dazu viel moderne digitale Technik, die für den Erstbesucher kaum zu verstehen ist. Auch keinerlei nicht span/catal. Erläuterungen. Die Aufführung (Rigoletto Dez.2021) guter Durchschnitt. Erfreuliches Gesamterlebnis.
كُتب بتاريخ 25 ديسمبر 2021
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c2arqui
9 مساهمات
زوجان • نوفمبر 2021
Hace unos días estuve viendo Rigoletto en platea.
La persona que nos vendió las entradas nos hizo una demostración de cómo se veía el escenario desde un palco en platea, adjunto foto.
Lamentable.
El espectáculo espectacular, con una puesta en escena fabulosa, cosa que pude contemplar cambiando de asiento después de la primera pausa.
La persona que nos vendió las entradas nos hizo una demostración de cómo se veía el escenario desde un palco en platea, adjunto foto.
Lamentable.
El espectáculo espectacular, con una puesta en escena fabulosa, cosa que pude contemplar cambiando de asiento después de la primera pausa.
كُتب بتاريخ 9 ديسمبر 2021
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ffer88
Province of Leon, إسبانيا760 مساهمة
سبتمبر 2021
emblematico teatro y edificio en as Ramblas. Es un paso obligado y si se puede disfrutar de lgo, pues mejor.
كُتب بتاريخ 7 ديسمبر 2021
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Hola, desde las butacas más económicas se puede disfrutar de la ópera.
Gracias
LetiRS
59 مساهمة
Disfrutarás de la música pero si deseas apreciar decorado vestuario te aconsejo invertir un poco más
Snowball's adventure
بارنيت, UK6,798 مساهمة
Hi, I've been trying to purchase a couple of tours tickets on their website. Unfortunately, there is no option for tickets purchase on their website as it looks like the last date of the tour was 3 Aug 19. Does anyone know when will the tour ticket opened to public again, please?
Thank you!!!!
Carina M
مساهمتيْن
I'm thinking about going to a ballet in the evening but as I'm travelling alone I'd feel safer to get a taxi back to my hotel near the Arc De Triomf in El born. Are taxis available outside after the performance & are they easy to get? Thanks!
Ms_R33480
Palm Beach, فلوريدا654 مساهمة
Yes, you will have to cross La Rambla and maybe walk about a half a block east and you will be able to get a taxi fairly quickly.
Mar T
مساهمتيْن
Hola, como va vestida la gente para ver una opera?
Pedro J. M
Alcoy, إسبانيا89 مساهمة
En realidad hay para todos los gustos. No es necesaria la etiqueta si es lo que te procupa. Piensa en la asistencia a un evento notable, sin más. Seguro que no desentonarás.
Cual es el programa para niños a fines del mes de abril?
Anna
برشلونة, إسبانيا20 مساهمة
Puedes mirar en la web de liceu, en el apartado: el petit liceu, esta la temporada 2018/2019
Creo que en abril son "los músicos de Bremen"
Антон К
34 مساهمة
Добрый день, друзья!
Подскажите, пожалуйста, какая форма одежды приемлема при посещении этого театра? Джинсы и рубашка со свитером будут восприняты адекватно?
VisitesL
برشلونة, إسبانيا
Apreciado Антон,
No existe ningún dress code para acceder al Teatro, así que puede venir como Vd. desee.
Saludos!
Christine再彥 陳
جوانجتشو, الصين14 مساهمة
Hello, I want to know the beginning time of the "guided tour" and "prestige tour".
LaNaFe
برشلونة, إسبانيا43 مساهمة
Buenas tardes! Es la primera vez que asistiré al Liceu, la obra escojida sera Romeo e Julliete, he adquirido las más economicas en la zona 8, me gustaría saber si desde allí se ve algo del escenario y si es cierto de que hay unas pantallas para verlo tambien desde ahí, gracias.
VisitesL
برشلونة, إسبانيا
Apreciada LaNaFe,
Antes que nada, darle la bienvenida, satisfechos que pueda venir al Liceu y disfrutar de esta magnífica ópera y del Teatro.
El Teatre del Liceu es un teatro a la italiana, con forma de herradura. Por este motivo, las localidades laterales en pisos superiores no tienen visión del escenario, de modo que las segundas filas de todos los laterales disponen de una pantalla de vídeo con imagen fija para que el espectador pueda disfrutar de la ópera desde esta ubicación. El Liceu ofrece este servicio adicional de forma gratuita, con un sistema de traducción simultánea en tres idiomas (catalán, español e inglés). La primera fila de los pisos no dispone de estas pantallas. Finalmente confirmarle que desde cualquier butaca de la zona 8, la acústica es muy buena y podrá disfrutar por completo de la función.
Cordialmente
MuscoviteVT
موسكو, روسيا13,466 مساهمة
Hi,
Consider 'La Favorite' - anyone knows anything about Clémentine Margaine, Michael Spyres, Markus Werba ?
The other leading lady is our own, I can catch for 10% of that funny price they have here :))
1) Which are the seats (sections) with the in-built translation?
2) If I bring a phrase-book (I normally do when I go to the countries which language I don't speak) - is it Catalonian or Spanish?
Thanks!
VisitesL
برشلونة, إسبانيا
Dear Muscovite,
Clementine Margaine is nowadays one of the mezzo-sopranos with the most future forecast and career. She has become one of the best singers for the famous role of Carmen by Bizet
Michael Spyres is a tenor with a precious voice and great high notes, specialized in Belcanto repertoire and without any doubt, the best Fernand nowadays.
Markus Werba is a baritone specialized in Donizetti who plays in the most important opera houses all over the world, like Scala di Milano and Metropolitan Opera House.
The Liceu Opera House offers Catalan, Spanish and English subtitles through TXT screens and is working to offer the subtitles in Spanish and English on the big screen over the stage Please take note the first rows from 1st to 5th floor have no subtitles.
The program is in Catalan and Spanish with a little English information about the plot.
We hope you enjoy a great performance and have a nice time in Barcelona!
