‪Kammeroper‬

تعليقات حول - ‪Kammeroper‬, فيينا

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MuscoviteVT
موسكو, روسيا13,133 مساهمة
يناير 2020
‪Finding this tiny theatre is quite a quest! I walked to and fro, I dropped at nearby shops, I even asked a guide, there was a tourist group close to the Greek church – no use, no one appears to have heard of it! At last, when it was already getting dark, I suddenly spotted the entrance – there were no lights there at day time. The trick is that the entrance is in the side lane, not in the street, very difficult to find unless you know where it is. Now you do :))
The start was clearly not the most encouraging. But that wasn’t all!
The night before I was at Staatsoper, my first theatre visit in Vienna. And it proved to be absolutely awful! I could never imagine to encounter such rudeness, I wrote about that unfortunate experience in my Staatsoper review. Of course, the next day heading to Kammeroper I was very much on the defensive – who knows, what if they have all theatres like that here?
Luckily for me – and, trust me, for them too – the atmosphere at Kammeroper was completely different. The staff was very friendly and competent – maybe they are students and work in their spare time? Anyway, the girl in the cloakroom knew everything about this particular opera, and even found a booklet for with the description of their other productions.
To say that it was a classic opera would be an understatement. It’s a 18th century work, Händel‘s
‘Giustino’, very rarely on stage, in fact, I do not know if ever in this century. A very complicated plot, you can look it up online; likewise unusual voices for our times - an alto, a male soprano, two contraltos, God knows where to get them these days...
Well, the point was that it was sort of test performance. They had a group of students, and it was to be like an exam for them, if I understood it right. There was only one professional singer, very young, too, but at least he was resident either at this theatre or at Theater an der Wien; his was the title role, a countertenor. You’ll see him on the photos in the centre, in funny shorts.
Yes, the stage settings and costumes were ‘modernized’, as it is very much in fashion now. I am not in raptures about it, in fact, I find it rather cheap! Especially in a beautiful location like this… But with young singers it was bearable, sort of a good-natured student party :))
The cost of the tickets was a feel-good factor, too – just about 20 euro, incredible for Vienna which is generally no budget city.
I don’t remember the prices in the theatre cafe, it’s downstairs, must be quite modest, like the whole place. Make sure you have cash on you, as far as I remember, they don’t accept cards.
The cloak-room is free of charge, and it’s the right thing to do, to my mind – one cannot sit in one’s winter coat and fur boots through the whole performance, can one? This isn’t a railway station after all!
They have a WC on the same floor, behind the cloak-room. But I would rather use the one downstairs, it’s less crowded. Both are in a very good shape.
When I was choosing the seats I first wanted to try the balcony, but it appears this space is for personnel only, I did not see anyone from the audience there.
Then I considered sitting as central as possible – on the sides the sound may be distorted. A few rows at the back of the hall are a bit elevated and provide a fairly good view, you will see it on one of the photos. And note, the seats are arranged chequerwise, otherwise the stalls would be only to listen, not to watch…
Oh, just recalled – the opera was in Italian, which language the captions were in I can’t remember, but it didn’t matter, I always read the libretto before heading to the theatre.
And, by the way, isn’t it remarkable - out of 9 reviews for this away-from-beaten-paths opera house 5 are in Russian...‬
كُتب بتاريخ 15 مايو 2020
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545medva
بودابست, المجر3,972 مساهمة
زوجان • أبريل 2019
‪We went in the last 30 years almost twice a year to Vienna, and never heard before about this lovely Kammeroper. This is basically for the young talents of the Theater an der Wien. We had a very good Candide, with very good voices. And the theater itself is nice.‬
كُتب بتاريخ 4 مايو 2019
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Oberschaefin
فيينا, النمسا122 مساهمة
مايو 2017
‪Wir haben uns Salieris Schule der Eifersucht angesehen. Absolut gelungener Abend. Sänger auf sehr hohem Niveau, Inszenierung flott und modern, Spaßfaktor hier sehr hoch. Kleiner Abzug für die engen Sitzreihen, aber wunderschönes kleines Opernhaus. Wenn man nicht immer Geld für Staatsoper & Co hat, absolut empfehlenswerte Alternative‬
كُتب بتاريخ 24 مايو 2017
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bear100no
تشيستر, UK57 مساهمة
زوجان • أكتوبر 2016
‪If you're looking for an opera experience in Vienna, you could do worse than try the Kammeroper. This company showcases new and upcoming opera talent and sometimes gives new twists to traditional shows. The opera we saw was La Traviata Remixed, using some modern graphics to supplement the singing. This show was sung in Italian with German surtitles, so you'd better familiarise yourself with the story if you don't know it.

Kammeroper is a smallish venue of around 250 seats. It is quite intimate and you will have a good view wherever you sit. Operagoers here are smart in the first few rows, getting a bit more casual as you move back. Dress is jacket/ tie for men, not evening dress. Ladies are stylish and elegant.

A thoroughly enjoyable evening.‬
كُتب بتاريخ 25 أكتوبر 2016
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classic68
موسكو, روسيا1,312 مساهمة
نوفمبر 2015
‪Располагается Камерная опера в здании отеля «Пост». Зальчик небольшой, всего порядка 250 посадочных мест. Сцена маленькая, труппа маленькая, оркестр маленький, декораций – минимум. В общем, камерность во всем. В программе как классические оперные произведения, так и современные. Также проходят сольные концерты певцов из труппы театра.‬
كُتب بتاريخ 4 أكتوبر 2016
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George_P74
موسكو, روسيا1,449 مساهمة
نوفمبر 2015
‪Маленький оперный театр во дворах на улице Фляйшмаркт, очень симпатичный дворик, летом, должно быть, все зелено. Спектакли идут в бальном зале отеля «Пост». Относится Камерная опера нынче к Театер-ан-дер-Виен, что-то наподобие филиала. Труппа небольшая, исполнение, действительно, камерное. Большой помпезности ждать не стоит, но голоса, по-моему, очень неплохие.‬
كُتب بتاريخ 3 أكتوبر 2016
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alexb261
سانت بطرسبرج, روسيا723 مساهمة
زوجان • سبتمبر 2016
‪Обязательный к посещению венский театр для почитателей оперы. Само здание не отнесешь к шедеврам, тогда как его "начинка" наверняка порадует оперных гурманов.‬
كُتب بتاريخ 29 سبتمبر 2016
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serbu05
موسكو, روسيا1,933 مساهمة
الأصدقاء • مايو 2015
‪Третий по значимости оперный театр Вены после Венской государственной оперы и Венской народной оперы. Он довольно небольшой и удобен для постановки необычных и авангардных опер. Летом его артисты выступают в более пышном Дворцовом театре Шенбрунна. Пришедшие вместе со взрослыми дети до 16 лет получают скидку 35 процентов.‬
كُتب بتاريخ 8 مارس 2016
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Anzhella Golubeva
موسكو, روسيا239 مساهمة
بمفردك • أكتوبر 2014
‪Театр находится в старинном здании, в отеле Post дали программку, можно заранее забронировать билеты и приехать, чтобы совместить приятное с полезным. Здесь любят русскую классическую музыку, можно послушать "Евгения Онегина"‬
كُتب بتاريخ 14 نوفمبر 2014
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Judith D
لندن, UK250 مساهمة
بمفردك • أكتوبر 2014
‪1. When I purchased my ticket three days prior to the performance, I was offered a choice of three sections of the theatre. Tonight’s performance was well attended, but there were a few empty seats in a house holding around 300 people. (Prices currently range from 19 – 51 euros). The house is very pretty and I was glad to have the opportunity to admire it. Seats, however, are not raked and I would chose to sit further forward another time.

2. Kammeroper is not for opera purists. This was an ‘Onegin’ with six performers on stage and a band of between 12 and 14; and lasted 1 hour and 50 minutes.

3. The production had a lot of strengths. Major opera houses could learn a great deal from the example set by Kammeroper’s set designer, Samal Blak,who produced a spare and generally effective set for this production. The singers are young, which made the action leading up to Lensky’s death heart-breakingly believable. Tobias Greenhalgh’s Onegin was especially compelling in the rejection scene: youthfully self-centred, convinced of his self-knowledge, with the brutality of the young. The cellist had particularly beautiful tone and phrasing, and the horn was also very good.

4. It had some weaknesses and it was difficult to know their source. The band was sometimes a bit uneven, which I’m inclined to lay at the conductor’s door, but there could be another explanation. The singing should have been more varied and subtle, but I don’t know whether the hall’s acoustics or the director is responsible. I would have to admit to being something of an opera snob, but I got a lot from this small-scale production despite my reservations.

5. Subtitles are in German only. The programme has a short synopsis in English.

6. The associated café in the Hotel de Post should be avoided. It is peculiarly unattractive (yellow and plastic) and the service is slow and sloppy.

7. I think that the house is the Kammeroper and that the opera company is called Theater an der Wien. The next work to be performed by Theater an der Wien is Iphigenie. They are doing Handel's Rinaldo at the Kammeroper in December.

8. Despite the Fleischmarkt address, the Kammeroper is actually in an alleyway off Fleischmarkt, at the side of the Hotel de Post.‬
كُتب بتاريخ 11 أكتوبر 2014
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