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The clock and the belfry date back to 1696.In 1919, after the Order had been suppressed, the building was purchased by Count Alberto della Gherardesca, who promoted a questionable renovation in neo-Gothic style, with the opening of a four-light window on the façade. - صورة ‪Piazza dei Cavalieri‬، بيزا

صورة فوتوغرافية لـ : The clock and the belfry date back to 1696.In 1919, after the Order had been suppressed, the building was purchased by Count Alberto della Gherardesca, who promoted a questionable renovation in neo-Gothic style, with the opening of a four-light window on the façade.

من تعليق : Piazza dei Cavalieri is one of the most sumptuous creations of the Medici age in Pisa, عن ‪Piazza dei Cavalieri‬

‪Piazza dei Cavalieri‬

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  • The clock and the belfry date back to 1696.In 1919, after the Order had been suppressed, the building was purchased by Count Alberto della Gherardesca, who promoted a questionable renovation in neo-Gothic style, with the opening of a four-light window on the façade.
  • Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
  • Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
The clock and the belfry date back to 1696.In 1919, after the Order had been suppressed, the building was purchased by Count Alberto della Gherardesca, who promoted a questionable renovation in neo-Gothic style, with the opening of a four-light window on the façade.
Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
Palazzo dell'Orologio.In 1605-1608, following the unification of two neighboring buildings through an arch with the clock, the palace was finished in its present form, according to the design of Giorgio Vasari of 1554.Between 1607 and 1609 Giovanni Stefano Marucelli and Filippo Palladini frescoed the façade and the internal vault of the arch with panoplies, grotesques and allegorical figures to signify the celebration of the Medici and the Order of the Knights.
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